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"Leaping, chattering, dancing atop this conundrum [of global migration] comes the hero of Celina Baljeet Basra’s debut novel, Happy Singh Soni, his head bursting with ideas, his heart set on gargantuan dreams." —New York Times
★Publishers Weekly ★Bookpage ★Booklist
In a rural village of Punjab, India, a moony young man crouches over his phone in a rapeseed field near his family’s cabbage farm. His name is Happy Singh Soni, and he’s watching YouTube clips of his favorite film, Bande à Part by Jean-Luc Godard. In fact, Happy is often compared to a young Sami Frey by the imaginary journalists that keep him company while he uses the outhouse. Pooing, as he says, “en plein air.” When he’s not sleeping among the cabbages and eating his mother’s sugary rotis, Happy dreams of becoming an actor, one who plays the melancholy roles—sad, pretty boys, rare in Indian cinema. There are macho leads and funny boys en masse, but if you’re looking for depth and vulnerability, you must make your own heroes.
Then comes Wonderland, an eccentric facsimile of Disneyland that steadily buys up the local farms, rebranding the community’s traditional way of life. Happy works a dead-end job at the amusement park, biding his time and saving money for a clandestine journey to Europe, where he’ll finally land a breakout role. Little does he know that his immigration is being coordinated by a transnational crime syndicate. After a nightmarish passage to Italy, Happy still manages to find relief in food and fantasy, even as he is forced into ever-worsening work conditions over a debt he allegedly accrued in transit. But his daydreams grow increasingly at odds with his bleak reality, one shared by so many migrant workers disenfranchised by the systems that depend on their labor.
At turns funny and poetic, sunny and tragic, Happy is a daring feat of postmodern literature, a polyphonic novel about the urgent, lovely coping mechanisms created by generations of diasporic people. Set against the enmeshed crises of global migration and the politics of labor within the food industry, Celina Baljeet Basra’s luminous debut argues for the things that are essential to human survival: food, water, a place to lay one’s head, but also pleasure, romance, art, and the inalienable right to a vivid inner life.
About the Author
Celina Baljeet Basra is a writer and cultural worker based in Berlin. She is a founder of the Department of Love, a curatorial collective. Happy is her first novel.
"The setup is familiar, but Basra makes it new . . . Basra is making a magnificent attempt to help us understand the mixture of optimism, self-defense, hope and delusion that Happy needs to make the monumental choice of whether or not to leave his home, move to a faraway place and face all the deceptions and misery that might await. By fragmenting the picture, and by playing with voice and structure, Basra invites us to experience Happy’s emotional journey at its most unfiltered, intimate level. She’s thrown away conventional narrative, and the outlandish chaos she creates conveys both the exuberant folly and dream-fueled logic that lead Happy to act." —Kathryn Ma, The New York Times Book Review
"Basra has a penchant for surrealism. Happy in many ways resembles the ingenue at the center of Yoko Tawada’s dreamlike novel “The Naked Eye,” a film-obsessed Vietnamese abductee in Paris. Basra’s plot by contrast, calls to mind Nabarun Bhattacharya’s cult classic “Harbart,” a tragicomedy set in Kolkata that begins and ends with the death of its titular character . . . As the work wears Happy down, his optimism grows more complex, transforming into a kind of empathetic, almost critically conscious hope . . . a sobering reminder that stories about individual heroism can divert focus from the exploitative conditions that compel them to act in the first place. Tragedy, on the other hand, does not obscure the power of the hero’s adversaries. Instead, it renders this power unmistakably visible. For Basra, tragedy also highlights the value of the simple needs and pleasures imperiled by criminal labor practices." —Jenny Wu, The Washington Post
★ "Happy’s singular voice echoes long after the close to this striking story." —Publishers Weekly (Starred Review)
★ "First-time novelist Basra delivers a damning indictment of capitalism, a system that swallows the global poor whole and spits out wasted humans. At the same time, Basra maintains a light touch; the novel wears its burdens with good humor." —Poornima Apte, Booklist (Starred Review)
★ "In a very timely manner, Basra makes a potent point about how undocumented workers are frequently abused both economically and physically . . . The humanity underpinning Happy’s story will speak to anyone with a heart and a dream." —Thane Tierney, Bookpage(Starred Review)
"A zany comedy about human trafficking? This novel is genius . . . strange and superb . . . radiant and exhilarating . . . The achievement of Basra’s prose is that this arc neither exploits Happy nor the reader. We might look back to Happy’s own beloved era of cinema for forerunners who dance to the beat of a different drum, outsiders who insist a better world is possible, protagonists who, if fantasists, possess the resourcefulness to survive a brutal and callous world. We can claim that we respect the humanity of the dispossessed, the exploited or the systematically oppressed, but to recognise it in fiction, as Basra has, takes this level of depth and artfulness. Despite the devastating conclusion, this is not so much a tragedy as a weaponised comedy. Politically, it’s an essential novel, with an urgency that avoids the didactic – preaching neither to the converted nor the apostate." —Luke Kenndard, Telegraph (UK)
"One of my favorite novels of the year, a book that redefines the coming-of-age story with empathy and grace." —Largehearted Boy
"An eye-opening, sophisticated work, [Happy] manages to be both brilliantly funny and intensely heartwrenching as it throws light on the darkest part of our society." —buzz mag (UK)
"Playful, funny, and wildly free, Happy inhabits the seam between beauty and tragedy. A miraculous novel." —Megha Majumdar, Whiting Award winner and bestselling author ofA Burning
"A bonkers story that reads like a fine ten-course meal." —Gary Shteyngart, author of Our Country Friends